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Paddock killed 58 people and injured more than 500 others, a figure that would later be revised to 851 to encompass not only victims of gunshot wounds but those injured from shrapnel, trampling, and attempts to scale barbed-wire and chain-link fences while fleeing.
It was, as we would hear in the coming days, the worst mass shooting in modern American history.
They are holding tiny, flickering white votive candles, the kind sold by the bag at discount stores, and have come to mourn the victims, the injured, and the city they call home.
Everyone has dispersed, but a floating anguish remains.
The students have built a makeshift shrine of flowers, handwritten posters, and more candles: that instantly recognizable expression of collective mourning.
The students sway and wave their glowing cellphones in response.
Sunday night, a week after the October 1 massacre: a day that also completes a full cycle of Vegas-ness, as this is the day that tourists tend to return home.
Across Las Vegas Boulevard, you can see the broken 32nd-floor windows marring the smooth gold-lamé surface of the Mandalay Bay; they click here like two teeth that have been punched out.
The Strip, I find myself thinking, is not the glorious shiny bauble it appears to be — at both ends it degrades quickly.
The south end, the more middlebrow prince casino las vegas bellagio where Mandalay Bay is located, has less margin to weather a downturn than the fancier precincts where the Wynn, the Encore, the Venetian, and the Bellagio are located.
Las Vegas purports to be democratic, but it, too, has a class system.
Passing the scene of the shooting, I am shocked by the distance between the open-air concert venue and the hotel suite from which Paddock fired.
His motive remains hazy, mysterious, but his methods are clear.
Everything he did was plotted, calculated, with the fastidiousness of the accountant he was, to maximize fatalities: from the six trips he made in seven days to cart at least 21 suitcases of weapons and ammunition up to his suite, to the handwritten ballistics calculations found on a piece of paper on a small side table in his room, to the sniper position he took, which allowed him to shoot his victims as they were running away.
On Las Vegas Boulevard, which used to be called U.
Route 91, people are leaving bouquets of roses in plastic sleeves on the median.
This is as close as one can get to the 15-acre venue, which is cordoned off with yellow crime tape and strewn with debris.
Fifty-eight white wooden crosses — carved and driven cross-country by a retired carpenter from Illinois — stand elegant and gold coast casino in vegas />They feel at once ancient and futuristic, like those alien white windmills in casino for sale vegas Palm Springs desert.
At the base of the Las Vegas sign, a giant snowdrift of mementos has gathered with smaller mounds accumulating around each cross.
The whole scene is tacky and ad hoc yet utterly sincere and affecting.
A site where tourists take selfies has become a de facto shrine to the dead.
In books, in movies, as a destination for bachelor parties and boxing matches — there it is, glittering and louche.
But because visitors rarely leave the Strip, the city is widely misunderstood.
Like any place with a dominant industry Washington, D.
Many of my students work on the Strip: at clothing stores, where they wait on drunk people; at poker room tournaments las vegas shops in casinos, where they arrive for their shift at 4:30 a.
Nearly everyone I know, though they might complain the Strip is pricey, also goes there to eat, to attend concerts, to meet up with visitors from out of town.
Yet unlike most cities, Las Vegas is also a metaphor, an idea.
The country takes pleasure in this fantasy — in participating in it and mocking it, both — and the casino industry sells it, promotes it, depends on it.
But the shooting altered the equation: How to live in a city, how to view it, to talk about it, think about it, when the metaphor has not only quite visibly detached itself from reality but is in fact jarringly, painfully at odds with it?
This was the clever trick of Las Vegas: that a rather tightly controlled experience could be made to feel wild and spontaneous.
Now, it seems, the city is unsafe in ways no one had anticipated.
The attack aimed at the most Vegas situation of all, which also happens to be the most American situation of all: people of all types, all colors and classes and ages and political persuasions, gathering to celebrate together.
A few days after my visit to the Strip, I interview a man whose 27-year-old daughter has been shot in the head, just above her right eye.
We are sitting on a bench outside Sunrise Hospital, where he is waiting to hear whether the airlift that will take her home to the East Coast is going to be scheduled for that day.
She will need intensive rehab for a year, maybe longer, and a series of surgeries to replace her eye and remove shrapnel from her brain and sinuses.
An internal video I was given lays out the light-speed response on the part of those responsible for protecting the Las Vegas image: the talking points that were written by 1 a.
Thank you for being there for us now.
By Wednesday, it had rolled out a television spot voiced click at this page Andre Agassi, who lives in Las Vegas.
It flashed on digital marquees at the airport and the hotels.
It was on the flanks of ambulances and fire trucks.
It was on bumper stickers peeled off and stuck on seemingly every car.
There were, and still are, enormous red VegasStrong banners in the courtyard on campus.
It is on a billboard across from Mandalay Bay, by the cash register at my local sandwich shop, on the letter board outside a florist, on the side of a CVS.
Its ubiquity left no doubt that Paddock had not only attacked a city but a brand.
It was shorthand for everyone who had guided people to safety, driven victims to the hospital, given blood, donated food and money and time, or let strangers into their businesses and homes in the chaotic hours when the Strip was cordoned off and it was believed there were multiple shooters on the loose.
But it was also a marketing tactic.
Many people I know cringed at the attempt to reduce a tragedy to a slogan; it felt glib and premature.
The city, they said, bypassed all the expected emotions to pivot to strength.
What about VegasSad, they joked, or VegasAngry, or VegasDepressed?
In the months that followed the shooting, many festival survivors would tell me that as the horror unfolded, they witnessed people tying — or that they themselves tied — homemade tourniquets in an attempt to stanch the wounds of fellow concertgoers.
The demographics of this country music concert were such that numerous attendees were firemen, policemen, EMTs, or had served in the military and thus were trained in first aid.
marina casino las vegas la so many people had not had this training, I hear it said repeatedly, there would have been far more fatalities.
This stays with me; I would not have known what to do.
Stop the Bleed strikes me as a kind of grim pragmatism in the absence of tighter gun laws, an attempt to prepare citizens for the mass shootings that are sure to keep happening.
Fraser learned about Stop the Bleed at a medical conference and brought the program to Las Vegas last spring.
But in the wake of the massacre, there was interest, including from MGM Resorts International, which owns Mandalay Bay.
Cassandra Trummel, the registered nurse who runs the program, says that since October 1, they have taught more than 130 classes and trained at least 4,300 people.
On a bright, warm winter afternoon, a group of 16 people have convened in a small conference room with industrial gray carpeting and hospital-gown-green chairs.
The first part of the class consists of an instructional slideshow illustrated with graphic images: one of a chewed-up, nearly severed foot and another of a laceration in an arm with a hairy armpit.
The latter click to see more of the class is hands-on.
We practice twisting the tourniquets as tightly as possible and stuffing gauze into faux wounds on a flesh-colored rubber cylinder.
It occupies that creepy uncanny valley between utterly fake and revoltingly real.
There are two cavernous holes on it, and we take turns pushing the gauze dressing into them.
A woman at another table asks what to do if you encounter someone who has been shot in the abdomen.
When you decide to apply direct pressure to a bleeding wound, you have a responsibility to that person.
This, I think darkly, is an anti-metaphor for Las Vegas, the opposite of just click for source weekend devoid of commitments.
These are not just offerings to honor the dead, they are also fragments shorn against our impotence, a way of doing something when there is nothing to do.
Such memorials are hardly a new phenomenon, but the problem of how to maintain them and contend with them after they have served their somber purpose is a relatively new challenge, one that archivists and museum curators have been thinking about at least since the Columbine massacre.
Candlewax melts and hardens; cards and posters and stuffed animals can molder or go up in flames.
It was Schwartz who emailed local curators, including Cynthia Sanford, prince casino las vegas bellagio archivist who is leading the Las Vegas effort, to warn them that they were about to face an onslaught of objects.
Even before the crosses came down, city workers were bringing a 25-foot trailer full of items twice a week.
The process is not quick; Sanford estimates that the entire project will take two to three years to complete.
When they complete the bouquet, they measure the tiny sign and then move on to a new group of flowers, which are vegas casino las lions map in with pearl stamens.
visit web page there the items are handed to two women at the next station, who place them in a lightbox and photograph them.
Pink flowers against a black background, white flowers against a white background.
Linda, who has short feathered gray hair and talks quickly, arranges each item in the lightbox.
After a while, the pair starts on painted rocks.
I look over at Lynn, who is doing the photographing.
Her face is wet with tears.
At the beginning of January, the Las Vegas Convention and Visitors Authority put out its end-of-the-year statistics.
In 2017, the city saw a 1.
A woman with tattooed arms and a long burgundy dress is saying something about her breasts to a friend, who is wearing a black jumpsuit; she cups her hands around them when she talks.
The bar fills up until all the seats are taken.
At the House of Blues, whose entrance is nearby on the casino floor, concertgoers are lining up to see Santana.
It could be any night before the shooting.
From the casino, which has dark red oriental carpeting and ornate filigree moldings, I take an escalator up to The Prince casino las vegas bellagio at Mandalay Place, where, at a store called Bay Essentials, a mini-mart of sorts, the clerk tells me what I have already gathered: The Strip kept on rolling like water through a turbine in a dam.
An amiable elderly woman wearing a large silver cross around her neck is the only one working.
I ask her how business has been.
Has it been slow since the shooting?
After a bit, the woman begins to share what many thousands of people in America now have: a mass-shooting story.
You can tell he feels far away from whatever he does in his daylight hours.
I am suddenly overcome by sadness, which happens to me so often in the months after the shooting that it ceases to surprise me.
Everything looks the same, but the double consciousness of knowing a massacre was orchestrated in the same building prince casino las vegas bellagio a shadow over it all.
A few weeks later, I write to MGM Resorts to see if an executive will speak to me about Mandalay Bay.
Mandalay Bay is as vibrant, inviting and busy as ever.
We continue to host major events and conventions and happily accommodate the influx of guests and visitors that come with them.
We talk about how months have passed without the release of any surveillance footage from MGM only in March did the company finally release six minutes of footage to The New York Times nor any evidence from the police.
My driver, it turns out, is a conspiracy theorist, an avid reader of Reddit who tells me he suspects that the shooting was a false flag — i.
He also has a more elaborate theory that the shooting was a misbegotten assassination attempt on the Saudi Crown Prince Mohammed bin Salman.
Las Vegas, not surprisingly, is a magnet for conspiracy theories.
It is a place that exists in proximity to numerous serious, and even truly ghastly, secrets.
From 1951 to 1992, nearly 1,000 nuclear devices were detonated there, 105 of them above ground, and the environmental and health effects of the radiation they produced — including a marked increase in cancers and contaminated groundwater — were covered up by the federal government.
Why did the security guard Jesus Campos, who was shot by Paddock, vanish moments before a slew of media interviews and then, five days later, appear only on Ellen?
But as the scrutiny intensified, he all but stopped giving press conferences.
Metro also fought the unsealing of search warrants to the public.
A court ordered both.
Two weeks later, Metro produced not the evidence the media companies had requested but a cache of witness documents.
While these are illuminating—witnesses recall the terror and bloodshed of that night; casino hosts describe Paddock, a regular, as odd and introverted; and an employee at a Mandalay Bay restaurant remembers seeing Marilou Danley, or a woman who resembles her, dining with Paddock on September 29—the more than 1,200 pages were heavily redacted, offered without context, and difficult to search.
But Parkland raged after its mass shooting.
When I post an interview request on a Route 91 survivors Facebook page with the help of a young man who was at the concert, I am deluged by messages.
Dozens of survivors contact me to share their stories.
I talk to someone almost every afternoon, by phone and sometimes in person, for several weeks.
Loud noises send them spiraling.
They are undone by crowds.
But also afraid of being alone.
They literally feel that we were forgotten because of everything that happened at Parkland.
But the media response, I begin to think, was not just careless but snobbish.
Las Vegas is a working-class town.
It has one of the largest populations of undocumented immigrants — about 35 percent of foreign-born Las Vegans are undocumented versus 25 percent nationally — and the eighth-highest rate of homelessness in the country.
Parkland, by contrast, is affluent and mostly white.
There are likely cultural and class reasons why the victims of the Las Vegas shooting did not receive as much attention, why they were not asked to appear on talk shows or speak at high-profile rallies.
Long before Parkland, though, Las Vegas had been pushed off the front pages.
By the end of that first week, the news cycle had already begun to move on.
There was the aftermath of the devastating hurricanes in Texas, Florida, and Puerto Rico.
On Halloween, a month later, there was the terrorist attack in Lower Manhattan, where eight people were mowed down and another 12 injured by a driver who had pledged allegiance to ISIS.
Five days after that, there was yet another mass shooting, this one in Sutherland Springs, Texas; 26 people were murdered, including several children, and 20 more were wounded.
By early November, a perfect dome of silence had formed around the incident.
The day of the nation-wide March for Our Lives protests is yet another sunny, blustery day in Las Vegas.
Instead of marching, I drive downtown to the Community Healing Garden to meet four survivors, two couples from California.
In the past five and a half months, there has been an ongoing discussion about whether the city should build a permanent memorial to honor the victims and what that should look like.
A number of survivors have told me that they struggle with a deep urge to return to the venue; they want a memorial on the site.
But it seems unlikely that MGM, which owns the 15-acre parcel, and the Las Vegas Convention and Visitors Authority would endorse a reminder of bloodshed in the heart of the tourist district.
best casinos in las vegas question is a thorny one: How does a city that bills itself as a place of abandon commemorate a tragedy?
As this debate is waged, there already is a pilgrimage site, one created not by a government entity but by volunteers and donations.
The Las Vegas Community Healing Garden is a kind of pop-up memorial that was put together in four days, by the end of that first week in October.
The couples I spend the afternoon with — Deborah and Greg, Crystal and Bryan — were watching the concert 200 feet from the stage.
I ask her husband, Greg, if he has a tattoo, too.
I have spent the past couple of weeks reading through all the autopsy reports that have finally been released by the coroner.
The mementos hanging from the remembrance wall are heartbreakingly specific.
A grove of trees.
Dangling from the branches are heart-shaped ornaments, miniature American flags, bright paper daisies.
Someone has hung a single pastel stuffed bunny from each one.
Reason, thought, worries about sentimentality or taste — all of it is obliterated by the blunt force of emotion.
The wind chimes tinkle in the silence.
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